Very recently, Bill Leeb put up an image on Facebook that just had the word “Monarch” on it. It was apparently cover art for something new, but no more information was given, except that it was Delerium. Thus, I contacted Bill himself to get some clarity. [more...]
The new Ultravox album “Brilliant” is here. After reviewing it I was given the opportunity to interview singer/guitarist Midge Ure and ask him a few questions regarding the recording of the album, the forthcoming tour and life in general. It has been a long time since the last Ultravox album and a staggering 28 years since an album featuring the classic line up of Midge Ure, Billie Currie, Chris Cross and Warren Cann. [more...]
Release had an opportunity to speak with Graham Crabb, original member of Pop Will Eat Itself (PWEI) as drummer, vocalist and songwriter, backstage before a gig in Camden, London.
PWEI started in England 1986 as a guitar driven outfit with witty lyrics using hooky pop culture references tracks. For their genre, they still have an industrial electronic following in dance clubs. Their live show today has the same intensity of those tours back in the early 1990:s.
If you are a nitpicker like me and actually enjoy reading the credit and production pages in booklets and press releases and have a genuine interest in electronic music the you will have read the name Gareth Jones several times. If not, you will most definitely have listened to music produced, mixed or engineered by him.
Gareth Jones is an English record producer mixer from London and during the eighties he was involved in making some of the most ground breaking electronic records and worked with artists such as Depeche Mode, Humpe Humpe, Thomas Fehlmann, Einstürzende Neubauten, Wire, Diamanda Galas, Erasure and Nick Cave. He started his music career as a trainee at the BBC, but is mostly self-taught, and was employed at the Pathway studio where he recorded and mixed the album “Metamatic” by John Foxx in 1980. Becoming a Berliner he spent many years as a resident producer at famed Hansa Studio recording and co-producing the Depeche Mode albums “Construction Time Again”, “Some Great Reward” and “Black Celebration”. He has been in the front line in terms of technical development and has made some pioneering work using digital equipment, especially the use of sampling. [more...]
The backbone of two of the biggest real indie acts in Sweden, Yvonne and Strip Music, disappeared and were nowhere to be found for a couple of years. Now Henric de la Cour is back with his new project. And this time he’s on his own, well… almost.
During the Mute festival at the Roundhouse in London this May, I sat down with Vince Clarke of Erasure and we had a nice chat for this Release article in connection to the new album “Tomorrow’s World”. Since then Erasure have embarked on two tours, starting with the Total Pop! Forest tour, which was expanded to include South and North America apart from the whole of Europe. Recently they changed the format of the tour to match the new album. It is scheduled to be released on October 3. It is the 14th studio album from Erasure and the first one since the break after the “Light at the End of the World” album released in 2007. [more...]