Release writer Sebastian Hess talked to Adam Anderson, one half of Hurts, about their 5th album “Faith”, partly recorded in Release hometown Gothenburg, struggling like Depeche Mode and the fact that singer Theo spent the first two weeks of lockdown in the company of only an octopus named Arnold. Singer Theo Hutchcraft has said that the new recordings were driven by the “darker elements of pop” and that the lyrics were inspired by “isolation, desperation and mania”. [more...]
In 2015 Sebastian Hess and Henrik Wittgren from Release interviewed Nicola Sirkis in Stockholm, which resulted in our ”Indochine – The Swedish Connection” feature. In 2021 Indochine will celebrate 40 years as a band and we got the opportunity to talk to Nicola again. We also talked to Swedish drummer Ludwig Dahlberg to hear how he ended up in the biggest band in France. And as if this wasn’t enough, some early photos of Indochine in Sweden surfaced through a newly started Swedish Facebook group. Check them out towards the end. The 40 year celebration will include two compilation albums (the first one is out now), arena shows in France and a couple of new songs of which the single ”Nos Célébrations” is the first one. [more...]
It’s not often, if ever, you get a chance to meet your heroes. So when Alex Paterson, the only ever-present in the collective known as the Orb, pioneer of ambient electronic music, and the creator of the iconic tracks “Little Fluffy Clouds”, and “Blue Room” appears on your radar – even during times of lockdown – it’s time to give him a call. Mike Whyte has an inspired conversation with Mr Paterson in this Release Magazine exclusive. [more...]
Julian Brandt has a prolific musical past as a solo artist and in pop bands like Bobby and Lustans Lakejer and Marina Schiptjenko hardly needs an introduction as her contribution to the synthpop scene has been evident since the early eighties. As Julian & Marina the two have created lush electropop with bossanova influences for almost ten years now. We had a brief chat with Julian in connection to their new album “For Beautiful People Only” about their sound, a new Lustans Lakejer album and a possible Bobby reunion. [more...]
Several breakthrough acts are now creating a vibrant new Gothenburgian underground, a scene with and enduring legacy built on bands from a wide range of genres as The Knife, In Flames, José González, Ace of Base, The Soundtrack of Our Lives and Mickey Dee, the former drummer in Motörhead.
Like those before them, many of the new avant gardists are rooted in the city’s vibrant soundsystem culture, and at the forefront there’s one of the most exciting bands on the Swedish scene in years. With just a few singles in their tote bag Gothenburg music collective Kårp embarked on an amazing journey. When they summarize they can put a well-received debut album, the 2020 single “Left Handed” and two Manifest Awards nominations (newcomer 2018 and synth 2019) on the list.
Nodding to atmospheric electropop, advanced electronica and, as they call it, deathdisco, on their debut “Album 1”, a work of soaring imagination, Kårp bring us more than music in their overall artistic formula. Kårp is not only music, it’s a spirit that penetrates everything what you see, hear and experience about the band.
When I covered Viva Sounds Festival in Gothenburg I met up with Kårp in their studio and had a chat about having focus on the songs, an amazing lazer dude and the mysteriousness surrounding the band. And because of that, we keep it secret; only Anna-Maria appears as herself in the interview. [more...]
German electropop veterans have blasted back onto the stage with new album “Masterplan” and a brand new digital and strictly limited vinyl EP called “Frei sein 2020″ – with cover artwork from Emil Schult. Since A Spell Inside’s goth tinted beginnings with “Return to Grey” (1995) they have continuously released their own brand of dark electronic quality pop. We had a chat with Michael Roeder about what’s cooking.
Industrial metal band Misery Loves Co. took a 19 year break after their last album. We covered these talaented Swedes in the printed Release in the 90:s, a decade full of raving reviews, a Swedish Grammy award and extensive touring with acts like Paradise Lost, Slayer, Machine Head and Fear Factory. Now they’re back again, with a strong album of dark and moody rock with industrial influences. Eager to learn more, we asked Patrik Wirén a bunch of questions. “More bands should split up and disappear for a few years! I do believe the break made us a better band”, he says. [more...]
Essex band Empirion are creators of quality industrial dance music, and hit the scene back in 1993 with the track “Narcotic Influence”. Since then there have been the highs of being signed to XL (the same label as the Prodigy), and performing on a US tour with the likes of Moby, 808 State and System 7. The lows came in the form of original member Bob Glennie getting a brain tumour, which effectively put a stop to the band, with the other two members, Austin ”Oz” Morsley and Jamie Smart, separating to do their own projects like KLOQ.
Fast forward to now, and Empirion have not just reformed, but brought out the new Dependent Records album “Resume”, which Mike Whyte talked to them about, amongst other things, recently. [more...]
US synthpop duo Iris is back with a new, critically acclaimed album: “SIX”. At the same time they are digging deep in their archives for a “Disconnect” performance and remastered rereleases with bonus tracks. Iris is a thorough band. It’s been five years since “Radiant”, and four years before that “Blacklight” was released. It’s always worth the wait, and we thought it was time for another little chat with the band. So we sent off a few questions to Andrew Sega in New York and Reagan Jones in Austin. [more...]