Graceful and majestic darkwave – Goethes Erben interviewed

At the end of the eighties, darkwave in Germany crystallized into the Neue Deutsche Todeskunst, where music influenced by goth rock and neo-classical pieces were combined with German-spoken lyrics paying homage to philosophers as Goethe and Nietzsche.

One of the pioneering bands released the classic NDT album, also their debut album, “Das Sterben ist ästhetisch bunt” in 1992 and celebrates 30 years on the scene. After a thirteen-year long hiatus, Gothes Erben returned with the album “Am Abgrund” and have embarked on a very expensive theatrical tour, continuing in 2019 in chamber concert halls across Germany making their 30th year something to remember.

When the “Am Abgrund Tour” came to Markthalle and Hamburg, Release managed to catch a few minutes with founding member Oswald Henke and new band member Tobias Schäfer. We talked about Goethes Erben evolution within the darkwave and goth genres, their new, more electronic sound and their way too expensive performances. Fortsätt läsa ”Graceful and majestic darkwave – Goethes Erben interviewed”

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