Opener “Shine” is uptempo and melodic. Despite slight doubts I had initially regarding the somewhat whispered vocals, the track grows and evolves into something with hit feeling I’ll include in my forthcoming DJ sets. The following trio of songs, “Goodbye”, “Save Me From Myself” and “Now That We’re Here” made me think “typical Swedish synthpop album”. The lyrics bothered me first and foremost: rhyming case/place/face, call/wall, joy/toy and more one-syllable words; it is almost a pastiche. Don’t get me wrong, the power of some one-syllable words should not be underestimated, they can describe strong feelings quite well - at this point I had a few lined up… The scene is not known for lyrical prowess so I was willing to let it slide, mainly due to fact that the music and vocals are in fact intriguingly intricate. In my mind they are actually playful despite being dark synthpop with elements borderlining futurepop.
During uptempo growing track five “My World” they start to win me back and following “Make the Cut Clean”, “In Your Arms”, “What Did You Achieve” put me in a good club going mode. The slower “Obscene” is beautiful and again the melodies and chord progression is well constructed, it might be my favorite track along with “Shine” and “My World”. The end of the album with “Trigger”, “Rage” and “A Certain End” is magnificent. Both CD bonus tracks, “Shame” and “Better Man”, are slower, beautiful both in harmony and lyrics and I would have easily substituted some of the early album songs with these. I think that the darkness and emotion of the slower songs and the latter uptempo songs would constitute a near perfect debut.
It is always tempting to compare artists and why not? I would describe Vanguard as a mixture of Mesh, De/Vision, Toy, Psyche and the Mobile Homes with a pinch of futurepop and some tiny Vince Clarke-ish melodies hidden away in the mix. It is an impressive and promising debut. I want to hear more. I want them to prove themselves fully on the difficult second album.
FREDRIK "SCHLATTA" SVENSSON