Schulze brings out his machines to magnificent effect, unleashing thunderous washes, panoramic sequences; the music is sometimes overwhelming like a tidal wave; blanketing your ears like an aural tsunami. There are minimal rhythms gently skipping along which serve as a kind of baseline from which we elevate ourselves.
Then there is Gerrard's end of it which amazingly serves more as an accent to the driving and elegant arrangements Schulze fashions effortlessly. She intuitively knows exactly where to stride forth with that dynamic voice, sometimes the symmetry terrifies me.
These two blend alchemically like mercury molding itself to whatever surrounding it is in, "Farscape" is dynamically ornate. This surely cannot be the only thing they ever do, there has to be more. Please say there will be more.