RUPESH CARTEL
THE DISCO AND THE WHAT NOT
ALBUM MEGAHYPE RELEASE: APRIL 25, 2007 REVIEW: JUNE 26, 2007


Rupesh Cartel - heard of them? Of course we have over here at Release, in fact they have featured on our Playlist as well as in our "Best of..." for 2005. If you are still a bit unsure, now could well be your chance to catch up... Rupesh Cartel are Viktor Ginner and Daniel Gustafsson. The name comes from a hotel manager Viktor worked for in the USA, combined with Daniel rejoining the duo, after an earlier aborted attempt together back in the 90:s. "The Disco and the What Not" is their second album release.

The music is a mixture of mainly electro stylings, with a smattering of pop, house, and even a few slightly acid-y synth lines. The first thing to notice is that the vocals are nice, in a kind of cutesy, sweet way.

The title track kicks off proceedings, building from a very electro bass line, into a quite nice, bouncy opener - not awe-inspiring, but cute. This theme kind of continues through until "Another Damage" - about midway in, which decides to take the mood to a slightly darker place. The track is slower, edgier - more clangy and smoky - one of the better moments for me. My highlight here is "Failure" - a fantastic electro-synth bassline kicks off proceedings, building into a nicely paced bouncy affair.

The single "Ghost White", though hyped, I'm afraid just didn't cut it for me, the rhythm unfortunately quickly became monotonous, and the vocals a little too lethargic over the top. The rest of the album goes back to the mood of the earlier tracks, leaving me feeling a little bit unsatisfied.

The version of the album I received included a bonus album of remixes and B-sides - a nice enough addition to the main material - my favourite of these being the Club remix of "About Denial", which took the original material and gave it something a whole lot extra.

Some nice sounds then, some nice vocals too - but as I keep mentioning, a bit too "nice" overall. Good, professional, but I think a little edgier in places (à la the bonus CD) would have really made a difference.

MIKE WHYTE